My Life As A Movie
Join Michelle, Helen and Tracy each week as we review a movie from a 'human' point of view. We delve into what they reveal to us about ourselves, others and the world we live in. We talk about how movies and the power of storytelling can be used as a tool for greater self awareness, growth and even change.
Episodes you may like:
Helen and Michelle review this Oscar-winning South African Netflix documentary, exploring it's unique perspective on the humble octopus and our connection to the ocean world.
Michelle reveals what in the film made her laugh out loud and Helen admires Craig Foster's commitment.
We talk about how doing what you love breeds passion and at times, obsession. Helen reminds us that trust is earned over time. We discuss vulnerability and being open to receive good things in life.
Michelle links the inequality in humans with our poor treatment of the environment and animals. Michelle shares why she loved that the octopus was female. Helen uncovers what this profound relationship between man and octopus says about the universal language of love. Michelle comments on what this movie meant to her about loss.
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Helen and Michelle interview French-Portuguese writer/director Ruben Alves about his acclaimed film 'MISS' starring Alexandre Wetter. Alves shares what inspired him to write this inspiring comedy-drama story and what challenges he experienced while making the film. He reveals how he came across Wetter and what pivotal moment made him certain he was to be lead actor. We talk about the diversity of the characters and how there is strength in our differences. We delve into what it means to feel accepted, by others but also by yourself. Alves shares the biggest message he would like audiences to take away from this film. MISS opens at Luna Leederville on Thursday, 30 September 2021.
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Tracy and Jacob review David Fincher's 2020 feature film, Mank, discussing the positives and negatives of its subtle storytelling style. We share our take on the production design, costuming, and music, and how they build the world of 1930s Hollywood. We also comment on the psychology of the characters represented, and the use of the Johari window in explaining the relationships between Mank and his companions. We then also discuss whether or not one should have to use the internet to gain context on a film before watching it.
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